You’ve probably heard of accessibility in the context of urban design — it’s the practice of making public spaces more disability-friendly. It includes ramps, “talking” traffic lights, tactile road markings, and so on. But digital environments can be just as exclusive as our cities! That’s why accessibility in UX design has become the talk of the town.
Accessibility means designing and creating content in emails with disabled subscribers in mind, in other words, making sure these customer groups can have fun like everybody else. Digital accessibility includes a wide range of accommodations like colorblind-friendly color schemes, larger fonts and better contrast for visually impaired users, and more.
According to the CDC, 27% of adult Americans live with some kind of disability, with 12.8% of US adults experiencing difficulties focusing and making decisions, and 4.8% of them having severe vision impairments.
The conditions mentioned above do not conclude the list. The Yale Center for Dyslexia and Creativity discovered that 1 in 5 Americans are affected by dyslexia, which is an unexpected difficulty reading despite the normal level of intelligence.
Meanwhile, almost 10 billion emails are sent every day in the US alone — and a lot of the recipients may be disabled.
So, email accessibility is an obvious choice, while the lack of thereof prevents a wide audience from engaging with your content. But there’s more to it — let’s dig deeper.
Have you heard of the curb-cut effect? It describes the phenomenon of disability-friendly adjustments benefitting a larger group of people. Subtitles are a great example. Closed captions were introduced as an accommodation for deaf or hard-of-hearing audiences. Today, subtitles are a great feature for many able-bodied people — for example, for those who learn foreign languages through watching films and TV shows.
The same can be applied to email design. Alt text is a neat adjustment for users with a poor internet connection — when images do not load, they will still see the descriptions. And adding a plain text option will help your subscribers with outdated devices and email clients that block “trendy” designs. That’s why, when you implement accessibility features, you help everyone, not just the vulnerable minority.
40% of people with disabilities would not choose or recommend a business if their communication is inaccessible. So, by overlooking accessibility, you lose customers — and, of course, money.
We get it, digital accessibility requires investments, especially if you’re starting from scratch. However, they will return and bring you more customers by word of mouth, higher brand loyalty, and more conversions.
In 2022, the number of website accessibility lawsuits increased by 12% and reached its record high in the US.
In the US, the Americans with Disabilities Act (ADA) requires that every published website should be disability-friendly. So, it’s possible that you’ll end up in court if you choose to ignore email design accessibility — and a lawsuit like that will damage your reputation.
Accessibility is a legal requirement and a humane thing to do, so most content online should be accessible, right? Wrong! According to WebAIM, 96.3% of all websites don’t meet the requirements of Web Content Accessibility Guidelines, with low text contrast being the most common issue.
What about emails? The Email Markup Consortium studied 35,604 emails in 2022. Their analysis showed that 99% of these emails had serious or critical accessibility issues.
When you pay attention to accessibility, you’re not just doing the right thing — you’re doing the right thing most brands choose to ignore. If you start implementing accessible design, you’ll give yourself an edge over competitors.
Digital accessibility is a humane choice and a reasonable decision for your business. But it’s more complex than including image descriptions or making bigger buttons. Let’s discuss two factors you need to consider while implementing accessible email design.
Ideally, your emails should be accessible to everyone, so let’s have a look at accommodations for different kinds of disabilities:
Some might think that catering to every existing disability is too restrictive and robs one of fun in designing emails. It’s not entirely incorrect — but keep in mind that design goes beyond aesthetics. Good email design is not about bright colors, funky fonts, and cool layouts. Instead, it provides visual aid by structuring information, making your copy easier to read for all your customers, and directing their attention to CTAs. For example, email designs like the one below are definitely not a creative freedom exercise — they’re just bad.
Including customers with older smartphones is a part of accessible email design too. Here are two technical aspects of email accessibility that you should consider:
Now that you know about all the important factors at play, let’s dig deeper into email accessibility. We’ve compiled a two-part checklist with recommendations on design and code accessibility. If you’ve never implemented accessible designs before, doing everything at once may be hard. But even adding proper alternative text to your images will be a massive improvement — starting small is still a start! 🙂
Let’s begin exploring accessibility from the part your end users see in their inboxes. In this section, we’ll discuss accessibility best practices in email interface and content design.
People with visual impairments often rely on virtual assistants like Siri. Instead of reading push notifications, they listen to assistants reciting subject lines and preheaders. That’s why using crystal clear subject lines is important. It takes more time to read an email with a screen reader, so getting straight to business in an email subject line means respecting your subscribers’ time.
To make sure your subject line is clear, use instruments like Net Atlantic Subject Line Grader. Here’s what it looks like:
For the same reasons, use emojis with caution. Since some people rely on screen readers, be careful when replacing words with them — it reduces clarity for this customer group. Also, don’t use less common emojis that may not be present in older software versions — on such devices, they will display like ▯▯▯.
In email content, logical structure is important for clarity and readability — but there’s more to it. Screen readers usually read emails from left to right and top to bottom. If you don’t organize your content in that order, your email will be very confusing to visually impaired subscribers. Implementing subheadings and leaving enough breathing space will also help users with ADHD a lot.
It’s also important to use more than one visual indicator for structural elements. For example, if you have a list of dos and don’ts, using only color to show the difference between right and wrong is not colorblind-friendly.
Inaccessible | Accessible |
DO:
|
👍 DO:
|
DON’T:
|
👎 DON’T:
|
Here’s another example. This email from Recess looks awesome but the content structure could’ve been better. There are two CTA buttons with different incentives — just “shop” and “shop with a discount”. Leaving one button at the bottom of the email would be a better decision. All-lowercase text makes the copy look more chaotic as well — we know it’s the brand’s signature formatting but it does nothing for accessibility.
These are emails where text is put on images instead of being typed in your email builder. In this case, your email copy can’t be highlighted, copied-and-pasted, or recognized by a screen reader. That’s why sending image-only emails is a massive accessibility failure. What’s worse, if your subscribers have turned off images in their email clients to save money on traffic or decrease loading time, this is what they’ll see in their inboxes:
Finally, image-only emails can get you a one-way ticket to spam folders. Before, spammers often used them to bypass the filters that scan the text for trigger words. The filters learned it — so, now, image-only emails have a higher chance of being marked as spam by servers.
The first rule of commercial writing is that you’re not writing for yourself — a marketing copy should be easily understood by a 12-year-old. So, you’d want to keep your emails short and avoid long sentences, passive voice, jargon, and unclear messaging.
But readability is also about visuals. Take a look at this email:
White text on an intricate beige background with many details, thin typeface, a barely noticeable CTA — that’s a recipe for disaster. Learn from the others’ mistakes and consider the following when designing an email:
Although serif fonts, like Times New Roman, have become a standard for printed media, they’re not as legible as sans serif fonts, especially for people with dyslexia. And artsy script and display fonts are largely decorative — save them for logos!
It’s easier to explain with an example — here’s what you absolutely should not do:
Even a magnifying glass won’t help you read the email above. This example is more of an extreme — there are more shades of bad than black text on dark blue background:
And here are some examples with dark text on light background:
If you’re still confused, use tools like the WebAIM Contrast Checker that checks accessibility of different web design elements: headings, normal text, and interface components.
Another type of tool that can help you choose more accessible colors is color blindness simulators. Here’s an example of how Toptal’s web page filter works:
These instruments will help you a lot with testing the accessibility of your website pages and emails.
Remember what we said about walls of text? It applies to walls of content as well. White spaces between paragraphs, images, buttons, and other content elements boost your emails’ cognitive accessibility up to 11. Overwhelming designs with many things cramped on one page can confuse subscribers with ADHD, and overstimulate people on the spectrum. Too much clutter around the text is also not helping your dyslexic subscribers.
What does “enough white space” look like? Here’s an awesome example.
Clickable elements in your emails should be as different from the rest of the email’s content as possible. It’s not just a marketing trick — it’s an adjustment for visually impaired and colorblind subscribers. Here’s an example:
As for the buttons, they should be big enough for touch screens and the CTA should be clear without context. Some screen reader users prefer listening to the list of links instead of the whole email, so pay extra attention to your CTA copy.
Responsive design means that your email layout responds and adapts to different screen sizes. It’s one of the components of email optimization for mobile devices. Here’s a side-by-side comparison of responsive vs. non-responsive design and what they look like in mobile email clients.
Notice how the non-responsive version on the right has smaller fonts and looks more cluttered. Meanwhile, in the responsive version, the same content is rearranged. The email is longer and requires scrolling but each element is large enough and can be read perfectly on a smaller screen.
Responsive email design is not just an accommodation for smartphone users. It’s also a great adjustment for visually impaired subscribers — since the fonts will be larger on mobile screens, the copy will be easier to read.
Email code is the part end users don’t see, that’s why it’s easy to forget about accessible adjustments. But it only takes developers to add just a couple of lines to drastically improve the experience for people who use assistive technologies. Let’s dig in!
Semantic markup is the use of HTML tags that convey the information about the structure and content of a web page. These tags are recognized and easily read by software, developers, and users. Here’s an example:
Semantic HTML | Non-semantic HTML |
<header> | <div class=”header”> |
Although invisible for regular users, semantic markup brings structure to your emails and improves user experience for those who rely on screen readers. Here are some semantic HTML tags that will make your emails more accessible:
<nav> <a href=”/updates/”>New in our blog</a> | <a href=”/news/”>News</a> | <a href=”/inspiration/”>Inspo</a> | </nav> |
Screen readers obtain the information about the email’s language from the HTML code. If you don’t specify the language, the generated voice’s pronunciation will get messed up and the end result will be confusing to the user. One short line of code can drastically improve the experience of your subscribers who use assistive technologies, so don’t overlook it!
Here’s what the language attribute looks like:
<html lang=”en”></html> |
The <table> entity in HTML is often used for building layouts. But it’s a headache when it comes to screen readers — they recite each cell like “Row 1, Column 3” etc. It’s a convoluted way of presenting information and spoils the UX for people who rely on screen readers:
To solve this problem, use the role=”presentation” attribute. You don’t have to avoid tables altogether — just add it in the <table> tag contents, along with other characteristics:
<table width=”98%” border=”1″ cellpadding=”0″ cellspacing=”0″ style=”width: 100%” role=”presentation”> |
Alt text is a short written copy that appears instead of an image if it failed to load or when you hover a cursor over an image — like this:
For websites, alt text is a great source of organic traffic — if you add it to blog illustrations, these pictures will appear among Google Images search results. Emails don’t need SEO optimization but it doesn’t mean you should ignore alt text. The main purpose of alt text is describing what’s in the picture — and these descriptions are recognized by screen readers. Use our tips on how to make accessible alt text for your emails:
<img src=”http://www.coolmovieposters.com/darkknight” border=”0″ alt=”A poster for the movie “The Dark Knight” with a tagline “Welcome to the world with no rules””> |
It’s in the name: plain text emails only contain text — no images, no fancy formatting, no table layout, and standard links instead of buttons. On their own, these emails are perfect for confirming transactions. But when it comes to promotional emails, marketers stick to HTML. Why should they have a plain text alternative?
We already mentioned screen readers a lot. Plain text versions only contain the main message without image descriptions — so it will be easier for visually impaired subscribers to get the gist of what you want to say. Including a plain text alternative is also helpful for customers with low internet connection, old devices, and email clients. In this case, they’ll be able to read your email even if all of your intricate design is not loading.
Designing your promotional emails with accessibility in mind is a good practice. Accessible design gives you a better reach, benefits all your subscribers — able-bodied or not — improves your reputation, minimizes the legal risks, and gives you a strong competitive advantage. Here’s what you need to consider if you want to make your emails more accessible: