Newsletter fonts, color, size, and spacing all affect how readers perceive an email. Email marketing has come a long way, but email clients still do not display every font consistently.
In this guide, we’ll look at the best fonts for newsletters, where they fit in an email layout, and why simple, readable choices usually work better than intricate typography.
Key takeaways
- Font choice, size, spacing, and color impact how readers perceive emails
- Best fonts for newsletters are email-safe system fonts like Arial, Verdana, Tahoma, etc.
- Typeface affects trust in content; fitting typography can enhance credibility and brand recognition
- Web-safe fonts are pre-installed on most devices; web fonts need to be downloaded
- Consider industry-appropriate fonts for newsletters; ensure readability and consistency
- Use fonts that are easy to read, especially on small screens; consider at least 16 px font size
How a typeface can determine the success of your marketing campaign
The font, its size, and the spacing between lines and letters all matter when it comes to how easy and convenient a piece of content is to read.
According to the study run by Benjamin Berman (it included a quiz, check it out) published in the New York Times in 2012, people’s trust in a statement would vary depending on which font was used to write it. So a fitting typography can make your newsletters seem more credible, set the right tone, create connection and build brand recognition. This opens an incredible opportunity to raise conversion rates, or on the contrary, drop them if the design is not done well.
Web-safe fonts vs web fonts in emails
When readers open your email on a computer or mobile device, their browser or email client reads the email code and decides which font to display. If a font is not available on that device or supported by that email client, it gets replaced with a default font from the device or client.
That substitution can make your email design look different from the version you built, especially on older devices, slower connections, or clients with limited font support. The safest way to reduce surprises is to use web-safe fonts or define reliable fallback fonts.
Web-safe fonts
A web-safe font is one that is pre-installed on most computers along with the operating system. There are no fonts that go with absolutely every system — but some came pretty close.
Best web-safe fonts that work (almost) everywhere:
- Arial
- Verdana
- Tahoma
- Trebuchet MS
- Times New Roman
- Georgia
- Garamond
- Courier New
- Brush Script MT
When choosing a font for an email, you need to make sure that it looks the same across all kinds of devices, whether it is a mobile, tablet, or desktop. Web-safe fonts are the best choice since most devices would have them installed, and they will display in the email the way you designed.
Web fonts
Web fonts aren’t pre-installed, they are instead downloaded when the browser or email client “sees” such a font and pulls it in from the server. A web font needs to be downloaded only once. Then, it’ll display when needed unless a user deletes it from the system manually.
The choice of web fonts is larger, but support in email is limited and inconsistent. Can I Email currently estimates @font-face support at about 24%, and support varies by client and implementation method. Apple Mail and some other clients can render web fonts, while Gmail and many Outlook/Yahoo scenarios need a fallback. If you use a web font, always define a similar web-safe fallback stack and test the email before sending.
Different types of fonts for newsletters
Although web-safe fonts are always a good and safe choice, it is important to consider brand style and email design as well. Let’s take a look at what typefaces exist at all and where web-safe fonts fit.
Serif fonts
In typography, serifs refer to small strokes at the end of vertical or horizontal lines of the letters. They may be big and obvious or small and barely noticeable.
One of the most common fonts, Times New Roman, is a serif font. Some other popular typefaces of this category are Garamond, Libre Baskerville, Courier, and Didot.
Sans serif fonts
Typefaces without strokes at the end of their letterforms are called sans serif. Modern and minimalistic, they are very legible and are the best fonts for digital use.
Some of the popular sans serif fonts are Arial, Calibri, Helvetica, Franklin Gothic.
Script fonts
The typefaces of the script category are decorative and artistic, they imitate the handwriting with pen, brush or marker. These fonts are beautiful but not a good choice as a main font since they can be hard to read. However, they can make great fonts for a newsletter’s headline and subheadings, provided they fit the brand’s style.
The examples of script fonts are Liesel, Amarone, and Bayamo.
Display fonts
Display fonts is not a separate category, rather, it refers to fonts that are designed for short-form and often large-format usage, e.g. on billboards, posters, logotypes, book covers, headlines of printed magazines. They include typefaces from the serif, sans serif and script styles and can also be used as email fonts. They often have more eccentric and variable designs.
There are many typefaces created purely as display fonts, and there are also display versions of serif and other types.
Walbaum is an example of a purely display font:
How to choose the best font for a newsletter
Consider these guidelines when working on your next newsletter.
Choose brand and industry appropriate fonts
Each brand has its own tone of voice, and in every industry, there are typically expectations about how companies should present themselves. Fonts that work for fashion brands won’t suit medical companies, while formal and corporate-looking typefaces will look out of place in emails from a brand selling products for kids.
When choosing fonts, consider the industry, your brand’s style and voice, and keep it consistent with how your brand is presented in email campaigns and other marketing materials.
Select fonts that are easy to read and are clearly legible at small size
The type of font and its size are important factors that impact readability. In general, sans serif fonts are more suited for digital use because they are easier to read even at small sizes.
Why is this important? Often, the email font size can be 11-12 px, which is quite small on the desktop and hard to read on mobile. In addition, the subscribers will open the email on a variety of devices with different screen sizes and email clients. Decorative fonts might not be legible at this size and the readers might decide to just abandon the newsletter altogether.
So you may want to use a font size of at least 16 px to make sure it is easy to read on any device. Ideally, choose a font that is clear even at 11 px, use a readable font weight, and test line spacing around 1.15 or higher.
In the example below, Courier uses 16 px font size in their newsletter to make sure it is easy to read at desktop and mobile alike:
Try customized fonts
You might want to consider customizing an existing font — Open/Libre Fonts allow you to legally modify them and use the results commercially. This option is simpler and cheaper than creating a font from scratch. If done well, a brand gets a unique and distinct typeface that can become a part of its personality.
It can be costly to hire a designer, but if there is already a customized font that your brand owns, consider using it in the newsletter as a headline or a banner. Since headlines usually use a larger font size than newsletter body text, a custom font can stay readable there more easily than in long body copy.
A/B test your newsletters
A/B split testing is the fastest way to eliminate guesswork and figure out what your audience likes. Then, you can optimize your email newsletters accordingly, and get a boost in engagement, click-through rate, and conversion rate.
Email A/B testing, also known as email split testing, is just a way to compare and evaluate two things to each other. It is simple in principle: from your whole list of subscribers, you pick a group of people, split it into two and send each a different version of an email. The email which receives the most opens and clicks (aka “the winning version”) will be sent out to the rest of your subscribers.
Some of the things you may want to A/B test include:
- Choice of fonts for email body and headers
- Number of fonts used
- Fonts and their sizes
- Spacing
- Color
- Plain text vs more sophisticated formatting
Notice how presence or absence of formatting changes the perception of an email. Jacob McMillan’s email looks slick and easy to read through, there is nothing that grabs the eye aside from the link in the end. Ryan Deiss’ catches the eye (and attention) in quite a few places due to his use of bold, italic and CAPS.
Best newsletter fonts for different text elements
For body copy, use reliable, readable fonts like Arial, Verdana, Tahoma, Georgia, or Times New Roman. For headlines and subheadings, you can use a stronger display or branded font if it stays readable and has a fallback. For teaser text and captions, keep the font close to the body style, slightly smaller or lighter. For pull quotes, use the same family in a larger, bold, italic, or contrasting color treatment rather than adding another hard-to-read font.
Headlines & subheadings
Headlines, titles and subheaders are short and bigger in size than the rest of the email, so they work well with decorative typefaces. Well-chosen display fonts can attract attention and convey a statement, while also looking good aesthetically.
The following fonts might be a good choice for a newsletter’s headline.
Teaser text
Teaser text, also called preheader text, can be used to compliment the headline and give the reader a deeper glimpse of what is inside the email. Its role is to increase readers’ interest and provoke them to read on. The font for this part should be smaller and lighter than the headline, but still bigger than the body text’s.
Body copy
When it comes to email body text, the most important thing is to ensure it is easy to read.
Once again, consider sticking to the web-safe fonts for this part:
- Arial
- Verdana
- Tahoma
- Trebuchet MS
- Times New Roman
- Georgia
- Garamond
- Courier New
- Brush Script MT
Cutlines
Cutlines are photo captions below an image that describe what that image is about, and they offer a great opportunity to communicate key ideas. Consider making them the same size as email body text or bigger, using bold or italic, or use a font that differs from the body copy.
Pull quotes and blockquotes
A pull quote is a typographical technique where a piece of text from the article is reprinted in the same article or page, but with a different formatting. Print magazines and newspapers love to use it to add to visual appeal and catch the eye of the reader.
Blockquote (or block quotations) is also published as a separate paragraph or a block. Unlike a pull quote, it refers to some external citation that was not mentioned in the article. Block quotes are usually placed within the reader’s flow — like in the example below.
Pull quote and block quote techniques can be used to publish testimonials or highlight key ideas.
Since the point of the pull quote is to grab attention, the font for this part of an email needs to at least be bigger than the body’s text. It can use the same typeface as the email body text, but in italic or bold or in a different color.
In the example above, Sensey uses the font Roboto for headlines and email’s body text.
However, the pull quote is not live text — it is written straight on the image. This decision from Sensey’s team has its own benefits: they could use whatever font they wanted and be sure that it looks the same on any device. At the same time, if the image does not display because of a slow internet connection or blocked images, the email can still be read and understood without any issues.
Conclusion
Font selection plays a critical role in how the newsletter is perceived and as a result in the success of the marketing campaign. When choosing fonts, consider the following:
- Email clients can display the basic web safe fonts correctly, while the other typefaces will show up in some but won’t appear in others. Choosing a compatible font is very important to make sure all subscribers can read the email.
- Use a font size that can be easily read even when the email is viewed on a small screen. Different email clients may display text slightly differently, so treat 16 px as a practical minimum reference for newsletter body copy and test before sending.
- The headline, teaser text, images with cutlines and pull quotes along with the body text form a visually appealing email. There is a big choice of fonts outside of web-safe fonts — display fonts like Hello Rogest, script fonts like Liesel, and others. Consider what fonts and font sizes will work best for each of these elements and whether it is worth using a non-web-safe font.
- A/B testing fonts and other newsletter elements can help you find options with better engagement, click-through rates, conversion rates, and ROI. If your KPIs are too low, A/B testing can help you compare alternatives instead of guessing.
New and noteworthy on our blog 
